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All of a sudden it was overcast. Descending from the final mountain pass,
I am only about a third into this year’s novel. And I only read when I travel.
We arrived, it's summer/somewhere in Norway. There's the fjord, there's the freeway.
You lit another one, the world is your ashtray. And so did I.

I rode in here in the backseat of some car,
with the windows down, and the music loud, but we don’t really make a sound.
‘Cause I'm still trying to pretend I'm tender. You claimed your hazy days have now ended.
I said “it's all love”, and you rolled your eyes. So here's to new and better lies.

Guess I approached you under false pretenses.
An amalgamation of several people answered:
“Something tells me you have dropped your defenses, well so have I”.

I pictured you riding shotgun in that car.
It’s a sight to see, but the thing you need is far from where we are.
‘Cause I don’t want to pretend I’m tender, or chained to the last few things I remember.
Here all is love, but those words weren’t mine. So here’s to hope and better lies.

Danced to “I Love You, Fuck the Government”. Or was it the other way around?
We spent another half an hour trying to answer that question.
‘Cause out here there's no reception.
Got up, tripped over a tent. I smelled like single malt mosquito repellent.
Someone told me you had lost your senses. Well, so had I.

You ended up in the backseat of some car.
It’s a sight to see, but it’s not with me. I’m only a passing star.
The fog was low, now it glows like ember. And there in the slow sunrise I remembered
how love is all, and I still do. So my lies are old, but my hope is new.


from Half Empty, released April 3, 2020
Recorded & produced at Six Feet Over studio by Sjur Lyseid. Elizabeth’s vocals recorded in her basement in Moss.
Mixed by Øyvind Røsrud Gundersen. Mastered by Espen Høydalsvik at Tinnitus Mastering.

Sjur Lyseid: Vocals, Guitars, bass, keys, percussion
Elizabeth Morris: Vocals
Eirik Kirkemyr: Drums


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